The poster and flyer were created for the event ‘Summer in the City’ by Künstlerhaus Mousonturm. A festival which presents singer songwriters, electronic artists and avant-gardists. It was supposed to be performed in Frankfurt’s Palmengarten.

“Share” is a publication showcasing an architectural proposal for the city of Cergy. By connecting nature to architecture, the project envision new ways of living. One font, one weight, one Pantone. It should have been printed on paper, but because of the current crisis it was finally published as a pdf.

In March 2020, I was commissioned by RIMOWA to design a sticker for their luggage sticker collection. The theme was the graduation of the class of 2020, a transitional year on a worldwide level. ​​​​​​​Although the product did not hit the market, the experience of working for such a well-rounded team was fascinating.​​​​​​​ Unfortunately, this project was postponed due to Covid-19 first lockdown announcement.

Pilar Asap is a semi-annual, multidisciplinary festival organized by Pilar in Brussels. This year’s edition was centered around the theme of identity. What does identity mean in music, art, performance and culture in our current times? The festival’s program had a long list of concerts, debats, lectures and performances. Unfortunately the festival was cancelled because of the second covid lockdown. Pilar is now trying to bring the Asap program in a digital revive, by the name of Pilar Asap Sessions. Keep an eye on their socials for more about this. You could still find the poster’s aftermath in the streets of Brussels in 2020.

On the one hand, in the hope that as many events as possible could be held, but with the ulterior motive that some might have to be cancelled, I wanted the poster to be able to be used sensibly in any case. So I designed it in such a way that the poster could be cut into 4 parts and thus at least the valid events could still be advertised with it… The poster was printed with two pantone colors—blue and overprinted with silver—nevertheless, optimism unfortunately did not pay off in this case: all four events had to be cancelled.

Last April the second edition of the Audace(s) festival—dedicated to performing arts through the prism of emerging and student scenes in Arras—was supposed to take place before this you-know-what19 mess happened.
This year edition was based on a visual fragile balance as a metaphor for the risk-taking of experimental artistic practices. Sadly, we couldn’t be more right and it seems everything fell apart.

This is the second of a poster series for the Deep Black events that take place in Fri-Son (Fribourg), which are organized by Lausanne-based DJ’s Askemwhy and Septentrio. The parties were described as follows: “No Light, No VJ, Just Bass.” The theme is represented through this heavy and bold typographic composition, in which I tried to achieve a black ink on letterpress effect. The event was firstly planned for April, then was postponed to November, and will obviously be moved again.

Posters to promote Slosh Berlin, Berlin’s annual homebrew competition organised by The Mash Pit Brewery. It is an amazing opportunity for all homebrewers in Berlin and beyond to showcase what they do best, brew beer. Thankfully the event still went ahead but on a much smaller scale than previous years due to Covid. This meant these posters were never printed and never saw the light of day.

The posters are designed to be tiled side by side and create a constant sloshing wave graphic. The posters were to be printed in a metallic gold with a vibrant pink/red. The saying ‘to get sloshed’ is slang for getting drunk, and also the movement of liquid.

Long live the Mash Pit!

The poster and flyer were created for the event ‘Summer in the City’ by Künstlerhaus Mousonturm. A festival which presents singer songwriters, electronic artists and avant-gardists. It was supposed to be performed in Frankfurt’s Palmengarten.

“Share” is a publication showcasing an architectural proposal for the city of Cergy. By connecting nature to architecture, the project envision new ways of living. One font, one weight, one Pantone. It should have been printed on paper, but because of the current crisis it was finally published as a pdf.

In March 2020, I was commissioned by RIMOWA to design a sticker for their luggage sticker collection. The theme was the graduation of the class of 2020, a transitional year on a worldwide level. ​​​​​​​Although the product did not hit the market, the experience of working for such a well-rounded team was fascinating.​​​​​​​ Unfortunately, this project was postponed due to Covid-19 first lockdown announcement.

Pilar Asap is a semi-annual, multidisciplinary festival organized by Pilar in Brussels. This year’s edition was centered around the theme of identity. What does identity mean in music, art, performance and culture in our current times? The festival’s program had a long list of concerts, debats, lectures and performances. Unfortunately the festival was cancelled because of the second covid lockdown. Pilar is now trying to bring the Asap program in a digital revive, by the name of Pilar Asap Sessions. Keep an eye on their socials for more about this. You could still find the poster’s aftermath in the streets of Brussels in 2020.

On the one hand, in the hope that as many events as possible could be held, but with the ulterior motive that some might have to be cancelled, I wanted the poster to be able to be used sensibly in any case. So I designed it in such a way that the poster could be cut into 4 parts and thus at least the valid events could still be advertised with it… The poster was printed with two pantone colors—blue and overprinted with silver—nevertheless, optimism unfortunately did not pay off in this case: all four events had to be cancelled.

Last April the second edition of the Audace(s) festival—dedicated to performing arts through the prism of emerging and student scenes in Arras—was supposed to take place before this you-know-what19 mess happened.
This year edition was based on a visual fragile balance as a metaphor for the risk-taking of experimental artistic practices. Sadly, we couldn’t be more right and it seems everything fell apart.

This is the second of a poster series for the Deep Black events that take place in Fri-Son (Fribourg), which are organized by Lausanne-based DJ’s Askemwhy and Septentrio. The parties were described as follows: “No Light, No VJ, Just Bass.” The theme is represented through this heavy and bold typographic composition, in which I tried to achieve a black ink on letterpress effect. The event was firstly planned for April, then was postponed to November, and will obviously be moved again.

Posters to promote Slosh Berlin, Berlin’s annual homebrew competition organised by The Mash Pit Brewery. It is an amazing opportunity for all homebrewers in Berlin and beyond to showcase what they do best, brew beer. Thankfully the event still went ahead but on a much smaller scale than previous years due to Covid. This meant these posters were never printed and never saw the light of day.

The posters are designed to be tiled side by side and create a constant sloshing wave graphic. The posters were to be printed in a metallic gold with a vibrant pink/red. The saying ‘to get sloshed’ is slang for getting drunk, and also the movement of liquid.

Long live the Mash Pit!